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We recommend: #Repost worldfoodbooks ・・・SENSE SOUND SOUND SENSE Fluxus Music Scores & Records - Luigi Bonotto CollectionLuigi Bonotto dedicated himself to keeping the work of the artists of Fluxus and Experimental Poetry alive, and to preserving, cataloguing, and promoting their poetry, music, and work, which was strongly influenced by John Cage and the key concept of his theoretical framework, indeterminacy. Published on the occasion of an exhibition curated by Patrizio Peterlini and Walter Rovere, with the collaboration of Giorgio Maffei, this catalogue delves deeply into this aspect of the Fluxus network. Rife with illustrations, the materials of the collection, as well as the movement and its history, are analysed in scholarly essays by Anna Cestelli Guidi, Alison Knowles, and the curators.features the work of Henning Christiansen, Wolf Vostell, Eric Andersen, George Brecht, Sylvano Bussotti, John Cage, Giuseppe Chiari, Philip Corner, Esther Ferrer, Juan Hidalgo, Dick Higgins, Robert Filliou, Toshi Ichiyanagi, Joe Jones, Milan Knizak, Takehisa Kosugi, Shigeko Kubota, György Ligeti, George Maciunas, Jackson Mac Low, Walter Marchetti, Charlotte Moorman, Claes Oldenburg, Yoko Ono, Nam June Paik, Ben Patterson, Terry Riley, Mieko Shiomi, Takako Saito, Gianni-Emilio Simonetti, Ben Vautier, Yoshimasa Wada, La Monte Young and others. #worldfoodbooks #allankaprow #traveltips

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NEW IN THE BOOKSHOP: GERMAN PAINTERS OF TODAY (1968)A curious catalogue published on the occasion of an exhibition of new German painting held in Adelaide during the Adelaide Festival of Arts in 1968.Includes a selection of 21 colour and black and white reproductions of works by Wolf Vostell, Horst Antes, Konrad Klapheck, Heinz Mack, Otto Piene, Paul Wunderlich, and many others, alongside a text by Werner Schmalenbach.Published in Adelaide and printed in Germany.One copy via our website. #worldfoodbooks #konradklapheck

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#heidibucher Although Heidi Bucher’s (1926-93) oeuvre remained mostly overlooked after her death, a recent revitalization around her idiosyncratic practice has opened the conversation on this pioneer in the feminist dialogue of the 1970s. Born in Switzerland, Bucher moved to California in the 1960s where she collaborated with her husband Carl on “Bodyshells,” a series of wearable sculptures exhibited at the Los Angeles County Museum of Art in 1972. She returned to Switzerland in the mid-1970s and began her most iconic body of work, latex casts of objects and rooms. #HeidiBucher #worldfoodbooks #Karma #SwissInstitute

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IN THE BOOKSHOP:RENDERINGS : CRITICAL ESSAYS ON A CENTURY OF MODERN ART By Max KozloffPublished by Studio Vista, 1970Renderings : Critical Essays on a Century of Modern Art” is a collection of forty-three essays, originally published in The Nation, Artforum, Art International and elsewhere, organized in six sections, “Revisitations Within the Modern Tradition”; “American Art and the Generation of the Second World War”; “Essays in Modern Sculpture”; “Current Art: Options and Responses”; “Sketches in the Aesthetics of Photography” and “The Methodology of Criticism”. Illustrated sections reproduce selected works by the many artists featured throughout the texts collected here, including Gustave Courbet, Claes Oldenberg, Edward Kienholz, Robert Rauschenberg, Jasper Johns, Toulouse-Lautrec, Jackson Pollock, Pablo Picasso, David Smith, Rene Magritte, Mark Rothko, Camille Pissarro, Henri Matisse, Frank Stella, Robert Motherwell, Édouard Manet, Pierre Bonnard, Alberto Giacometti, Joseph Cornell, Medardo Rosso, Francis Bacon,Julio Gozalez, John Chamberlain, Ronald Bladen, Jacques Henri Lartigue, Larry Poons, Diane Arbus, Marcel Duchamp, and many others.Max Kozloff (born 1933) is an American Art Historian, art critic of modern art and photographer. He has been art editor at The Nation, and Executive Editor of Artforum. His essay, “American Painting During the Cold War” is of particular importance to the criticism on American Abstract Expressionism.One copy via our website and in the bookshop. #worldfoodbooks #1970 #StudioVista #maxkozloff #edwardkienholz

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BACK IN THE BOOKSHOP: HEIDI BUCHER published by Karma and The Swiss InstituteAlthough Heidi Bucher’s (1926-93) oeuvre remained mostly overlooked after her death, a recent revitalization around her idiosyncratic practice has opened the conversation on this pioneer in the feminist dialogue of the 1970s. Born in Switzerland, Bucher moved to California in the 1960s where she collaborated with her husband Carl on “Bodyshells,” a series of wearable sculptures exhibited at the Los Angeles County Museum of Art in 1972. She returned to Switzerland in the mid-1970s and began her most iconic body of work, latex casts of objects and rooms. This volume includes a conversation with Christian Scheidemann on conserving contemporary materials; essays from the catalogue of the seminal 2004 “Migros” exhibition; memories from Beatrix Ruf and curator Bice Curiger; as well as a walk through the Swiss Institute exhibition with her sons and collaborators Mayo and Indigo. Embracing the conceptual framework of an exhibition at Swiss Institute and its related public programs, each book in the SI Series adds retrospective context through seminal essays, archival materials, event transcripts, artist portfolios and exhibition documentation, as well as reprints and new translations of important texts. Each book in the series assumes a unique format to delve into the work of an artist, an artistic movement or a philosophical conundrum.Edited by Karen Marta and Simon Castets, text by Indigo Bucher, Christian Scheidemann, Bice Curiger.Via our website and in the shop tomorrow. #worldfoodbooks #heidibucher #karma #swissinstitute

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OPEN TODAY 12-4 PM.NEW IN THE BOOKSHOP: KONRAD KLAPHECK 1955-1985 (1985)Major monograph on the work of Konrad Klapheck published in 1985 by Prestel in Munich. Profusely illustrated throughout in colour and black and white with Klapheck’s paintings, drawings, graphic work, sketches, reference material and studies, accompanied by essays by Werner Hofmann and Peter-Klaus Schuster (in German), and full biography and bibliography.From the contents: Werner Hofmann: eloquent stupidity or the melancholy of the clichés / Peter-Klaus Schuster: about big and small with Klapheck / Konrad Klapheck: Why I paint; About my drawings / catalog: 1955-1959 The creation of a vocabulary – the main themes in their first versions / 1959-1963 Simplification and stylization / 1963-1973 Return to the banal subject – enhancement and monumentalization / 1973-1985 Development of a composting principle – discovery of the drawing.Konrad Klapheck (born February 10, 1935) is a German painter and graphic artist whose style of painting combines features of Surrealism and Pop art. Klapheck’s works of the mid-1950s are in a magic realist style that became more idiosyncratic when he painted the first of his famous typewriters. His subsequent paintings, often large in scale, are precise and seemingly realistic depictions of technical equipment, machinery and everyday objects, but strangely alienated; they are “monumental, amusingly absurd and sexually suggestive”. Klapheck’s subjects through the years have included (in order of introduction) typewriters, sewing machines, water taps and showers, telephones, irons, shoes, keys, saws, car tires, bicycle bells and clocks. Influenced by Duchamp, Man Ray, and Max Ernst, Klapheck’s “ironic treatment of everyday mechanics” prefigures Pop art in its magnification of the trivial. He became a professor at the Kunstakademie Düsseldorf in 1979.Available in the bookshop and via our website. #worldfoodbooks #konradklapheck #1985

worldfoodbooks

OPEN TODAY 12-4 PM.NEW IN THE BOOKSHOP: KONRAD KLAPHECK 1955-1985 (1985)Major monograph on the work of Konrad Klapheck published in 1985 by Prestel in Munich. Profusely illustrated throughout in colour and black and white with Klapheck’s paintings, drawings, graphic work, sketches, reference material and studies, accompanied by essays by Werner Hofmann and Peter-Klaus Schuster (in German), and full biography and bibliography.From the contents: Werner Hofmann: eloquent stupidity or the melancholy of the clichés / Peter-Klaus Schuster: about big and small with Klapheck / Konrad Klapheck: Why I paint; About my drawings / catalog: 1955-1959 The creation of a vocabulary – the main themes in their first versions / 1959-1963 Simplification and stylization / 1963-1973 Return to the banal subject – enhancement and monumentalization / 1973-1985 Development of a composting principle – discovery of the drawing.Konrad Klapheck (born February 10, 1935) is a German painter and graphic artist whose style of painting combines features of Surrealism and Pop art. Klapheck’s works of the mid-1950s are in a magic realist style that became more idiosyncratic when he painted the first of his famous typewriters. His subsequent paintings, often large in scale, are precise and seemingly realistic depictions of technical equipment, machinery and everyday objects, but strangely alienated; they are “monumental, amusingly absurd and sexually suggestive”. Klapheck’s subjects through the years have included (in order of introduction) typewriters, sewing machines, water taps and showers, telephones, irons, shoes, keys, saws, car tires, bicycle bells and clocks. Influenced by Duchamp, Man Ray, and Max Ernst, Klapheck’s “ironic treatment of everyday mechanics” prefigures Pop art in its magnification of the trivial. He became a professor at the Kunstakademie Düsseldorf in 1979.Available in the bookshop and via our website. #worldfoodbooks #konradklapheck #1985

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OPEN TODAY 12-7 PM.NEW IN THE BOOKSHOP:"9th BERLIN BIENNALE OF CONTEMPORARY ART : The Present in Drag" 2016 has just arrived from Distanz, Berlin.The Present in Drag is published as a companion volume to the 9th Berlin Biennale for Contemporary Art, which was curated by New York collective DIS. Providing information on the works shown in the exhibition, it also includes contributions by Roe Ethridge, Simon und Daniel Fujiwara, Boris Groys, Katja Novitskova, Chus Martinez, Bjarne Melgaard, Sean Patrick Monahan, Sabine Reitmaier, McKenzie Wark, and others.The 9th Berlin Biennale for Contemporary Art features the work and contributions of: Ei Arakawa (in collaboration with Dan Poston, Stefan Tcherepnin), Korakrit Arunanondchai/Alex Gvojic, åyr, Will Benedict, Julien Ceccaldi, Centre for Style (in collaboration with Anna-Sophie Berger; Burkhard Beschow & Anne Fellner; Max Brand; Rare Candy with Alden Epp, Spencer Lai, Natasha Madden, Misty Pollen, Ander Rennick & Amber Wright; Susan Cianciolo; Marlie Mul; Liam Osborne; H.B. Peace & Kate Meakin; Joshua Petherick; Lin May Saeed; Eirik Sæther), Simon Denny with Linda Kantchev, Cécile B. Evans, Nicolás Fernández, Lizzie Fitch/Ryan Trecartin, Simon Fujiwara, GUAN Xiao, Calla Henkel/Max Pitegoff, Camille Henrot, Yngve Holen, Alexa Karolinski/Ingo Niermann, Josh Kline, Nik Kosmas, M/L Artspace, Katja Novitskova, Adrian Piper, Josephine Pryde, Puppies Puppies, Jon Rafman, Timur Si-Qin, Lucie Stahl, Hito Steyerl, Wu Tsang, Anna Uddenberg, Amalia Ulman, Anne de Vries, Chris Kraus, Isa Genzken, Juliana Huxtable, Torbjørn Rødland, Martine Syms, Stewart Uoo, Benjamin Alexander Huseby, Bjarne Melgaard, Sean Raspet, Chus Martínez and many more.Available via our website and in the bookshop. #worldfoodbooks #BB9 #Dis #julienceccaldi

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